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Chief Conductor of the Hungarian Radio Symphony Orchestra and Choir


On 23rd March I was nominated Chief Conductor of the Hungarian Radio Symphony Orchestra and Choir and will up the post for the 2022/23 season.

This partnership is the result of a special relationship that I have with the orchestra, with whom I share a profound understanding of music. The announcement will be celebrated appropriately on 24 March at 7.30 p.m. in a concert at the Müpa in Budapest, where I’m about to conduct Mahler’s Second Symphony.

I greatly admire these musicians and the incredible cultural heritage of this country, and being in Budapest always fills me with joy. It is therefore a great honour for me to be the new Chief Conductor of the Hungarian Radio Symphony Orchestra and Choir. I am delighted to be able to work together on a regular basis and to continue to develop and reinforce our artistic journey. I am confident that together we will be amongst the best and most prestigious European orchestras. That’s my objective! Or, rather, our objective, now that I can say so.

 

Cover photo © Simone Falcetta

The Mahler Resurrection Symphony in Budapest 


“O Röschen rot!

Der Mensch liegt in größter Not!

Der Mensch liegt in größter Pein!

Je lieber möcht’ ich im Himmel sein”

 

This concert is a continuation of my project to interpret the Mahler symphonies and the great German symphonic repertoire. It is extremely demanding from an emotional point of view to be conducting the “Resurrection” Symphony at this time: today this opera touches our conscience, just as it did at the end of the nineteenth century. It overflows with a magnificent cascade of music and singing which tell of bewilderment as humanity is torn apart. Throughout his life as a composer, Mahler searched for the key to such torment. Today, we attempt to enter this world of suffering expressed through the vertiginous splendour of music, hoping (as the composer did) to encounter the idea of “resurrection”. I am taking on the challenge of this masterpiece together with the Hungarian Radio Symphony Orchestra and Choir, both of which I hold in great esteem. With them I made my discographic debut in 2013, continuing to develop a special musical relationship, culminating with the Dvořák Stabat Mater which I conducted in 2017 and a programme entirely dedicated to Richard Strauss in 2019 (Four Last Songs and An Alpine Symphony), both performed at Müpa Budapest